In 1972, with The Terminal Man under his own name, he realised that his career was now a writer, not a doctor, so he put the pseudonym in the bottom drawer. Descendants 3: Dr. Facilier • Celia Facilier • Squeaky & Squirmy Smee • Hades • Lady Tremaine • Mr. Smee Ward used magical realism to heighten the mythical and fabulist framework of the book. I commend her for stretching the story to boundless limits, for using motifs of Dante’s poem and inserting her own magical elements. I admit to a gulf between me and the otherworldly mystique of these characters and events, perhaps the same way that the bible can distance me with hyperbole. However, I feel blessed to get my hands on anything that Jesmyn Ward writes. Let Us Descend is an atmospheric, moving tale that sweeps you away to North Carolina during the mid-1800s and into the life of Annis, a young woman of mixed race trained by her mother in more than just servitude who, after being sold one year after her beloved Mama, is forced in chains on a gruelling march from the rice fields she’s only ever known to the sugar plantations of New Orleans where with a little help from the spirit world beyond she endures extreme hardships and brutal savagery until she can find an opportunity to finally slip free.

HOOK - 1 stars: >>>"Starting in the early dawn light, he had driven up into the mountains...then don through lush valleys...damp in the misty morning wetness...up once more to the cold air of the peaks..."<<< opens this novel. Ward’s novel is a mythic tale about Annis’ hunger to resist and rise, to put into practice her warrior legacy. To thrive, and emerge from this inferno intact and victorious. Annis’ sense of hope springs from her imagination and belief in her own strength, to be regarded, and to regard. “She taught me that the ancestors come if you call them.” Because beyond the interest of reading early works of your favourite author, reading what he wrote and seeing his writing slowly evolving, they are not masterpieces and you cannot dedicate more than five lines for their sake. It's like Schwarzenegger movies. You are having a good time and that's it. And I also didn't want to confuse you every second day with a new book by Crichton. Beautifully written with vivid descriptions and imagery. I enjoyed the magical realism and the way Annis, and the spirits interacted. I enjoyed learning about the strong women in Annis's family tree. Their inner strength and determination were inspiring. This book was one big journey in a young woman's life. It is not always easy reading as the slaves suffer through starvation, mistreatment, rape, being separated from loved ones, worked hard, bought and sold, and beaten to name a few. Annis experienced so many things in her young life and showed strength, compassion, courage, fear, heartbreak, and love throughout it all.

A year in which he published for the first time under his own name one of his best novels, the science fiction thriller The Andromeda Strain, which was made into a film in 1971. As Annis learns in this novel, if you call on spirit they will come. Annis is very much in tune with spirit and that sustains her in this harrowing tale of the grind of enslavement and the toll it takes on the mind body and soul of those who experienced that particular horror. The story is generally handled gently and the brutalities are kept to a minimum. Let us Descend is the story of an enslaved girl, Annis, and her mother, and her mother before that. It is the story of generations, of myths, of spirits, and of transcendence. Like Ward says, this is a hard journey. But it is also about claiming your humanity and a sense of hope despite people trying their absolute hardest to strip someone entirely of both. As a young girl, Annis hears the white children being read Dante's Inferno. Annis compares her journey through a different type of hell with what she heard in that book alongside other illusions to bees and to water. All of this blends together to make a story that will truly take your breath away. Every sentence is a gift. The only real gripe I have with GRAVE DESCEND is the open ended conclusion - all the puzzle pieces don’t quite fit into place. I’m not sure if there are more books featuring McGregor, but GRAVE DESCEND certainly left the impression that this protagonist was designed to be a series character. This book gave me so many mixed emotions. It is beautifully written with lyrical prose that pulls you into the heart of the book and the body of Annis as she makes her way through life.

Change the plan you will roll onto at any time during your trial by visiting the “Settings & Account” section. What happens at the end of my trial? I highly recommend this book to all who enjoy historical fiction but with the caveat that it contains a large element of magical realism. I found that fit in beautifully with the character and actions of Annis and her story of trying to exist in a world that doesn’t see her as a person at all. Isle of the Lost • Dragon Hall • Auradon Prep • Auradon • Neverland • Ursula's Fish and Chips • Lady Tremaine's Curl Up and Dye • Hades' CaveI loved this book despite the tears and the disgust at the truths it holds. Read it. Every word is worth your time. I won’t say more about the plot. This is a story you should experience for yourself. I loved Jesmyn Ward’s Sing, Unburied, Sing and loved the ghost there , but there was a little too much magical realism here for me. I can’t quite give it 5 stars, but overall this is a stunning read that will shake you to your core . Let Us Descend is a reimagining of American slavery, as beautifully rendered as it is heart-wrenching. Searching, harrowing, replete with transcendent love, the novel is a journey from the rice fields of the Carolinas to the slave markets of New Orleans and into the fearsome heart of a Louisiana sugar plantation. You may also opt to downgrade to Standard Digital, a robust journalistic offering that fulfils many user’s needs. Compare Standard and Premium Digital here. CAST - 3: MacGregor as the narrator/diver is an ex-Marine and good with spears to fend away hammerhead sharks. Standard villains...but most really aren't who you think they are: Crichton does a nice job with a "whose good/whose bad" element. And the best cast member of all is the eerily named yacht, "Grave Descend," which has surprises of its own.

In September 2020, as COVID-19 swept across the country, Jesmyn Ward wrote an essay for Vanity Fair entitled, “On Witness and Respair: A Personal Tragedy Followed by Pandemic” after the death of her 33-year-old husband just months before the murder of George Floyd. The essay gutted me; I have rarely read anything so powerful. Within the essay, she writes this: “Even in a pandemic, even in grief, I found myself commanded to amplify the voices of the dead that sing to me, from their boat to my boat, on the sea of time.” As readers might expect, Let Us Descend is powerful. Truth-telling. Courageous. Bold. So bold, in fact, that it will likely be banned in Florida and Texas, but isn’t that the point? To proclaim, loudly and clearly, that slavery was and remains the original sin and we should never, ever forget what humans did to fellow humans – with cruelty and with impunity? it reads like a brisk 007 story, and the main character of macgregor is a highly likeable raymond chandler type hero. he is what makes the book fun to hang out with. As Uma readies for the high seas alongside Harry, son of Captain Hook, Gil, son of Gaston, and the toughest rogues on the Isle of the Lost, the reformed villains of Auradon devise their own master plan, and with King Ben away on royal business, they won't have to play by all the rules. Using bad for good can't be totally evil, right?There are lots of spirits in the book, looking for love and worship, taking and giving and transforming. It's where the story lost me a bit, and the only reason this isn't a five star book for me. There were times I didn't quite understand the role the spirits took, and times that it felt unnecessary to the story. But it could also make a great discussion topic. 4.5 stars But just as important as fighting was the storytelling. When her mother told her these stories, Annis felt their narrative power. “This our secret. Mine and your’n. Can’t nobody steal this from us.” No matter what happens to her body, Annis has the stories to hold on to, fables that rise to rectitude. Despite this dip in the third act and an ending that felt slightly less satisfying than I had hoped, Annis' journey is one worth taking. As Ward herself states on the cover of my advanced copy by way of introduction, "It is difficult to walk south with Annis. Her narrative descends from one hellscape to another, but I promise that if you come with me, you will rise. It will be worth the walk, worth the walking."